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Dadaist是什么意思，Dadaist翻译
Dadaist
Dadaism, a cultural movement that emerged in the early 20th century, was a response to the chaos and meaninglessness of the world following World War I. The movement, which originated in Zurich, Switzerland, in 1916, sought to overthrow traditional artistic and social values and promote a new way of thinking that was free from the constraints of logic and reason.
One of the key characteristics of Dadaism was its rejection of conventional artistic techniques and styles. Dadaist artists sought to create works that were random, absurd, and often disturbing. They believed that art should not be constrained by beauty or meaning, and instead should embrace the randomness and chaos of the modern world. This is evident in works such as Marcel Duchamp's "Fountain," a urinal signed with the name "R. Mutt," and Man Ray's "Cadavre Exquis," a collaborative drawing that involved several artists taking turns drawing sections of a body.
In addition to their work in visual art, Dadaists also embraced other forms of media, including poetry, theater, and film. They often used collage and montage techniques, as well as random sounds and images, to create works that were disorienting and challenging to the viewer. A prime example of this is the Dadaist film "The Cabinet of Dr. Caligari," which uses Expressionist techniques to tell a story about a serial killer.
Dadaism was not limited to the visual arts; it also had a significant impact on literature. Dadaist poets, such as Tristan Tzara and Kurt Schwitters, experimented with unconventional forms of poetry that were often nonsensical and playful. They embraced chance and randomness in their work, and sought to break away from traditional poetic structures and conventions.
One of the central themes of Dadaism was the rejection of rationality and logic. Dadaists believed that the world was inherently chaotic and irrational, and that this should be reflected in art. They often used humor and satire to criticize the social and political systems of their time, and to expose the absurdity of human existence. This is seen in works such as Max Ernst's "Europe After the Rain," a painting that depicts a post